Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [8] Record drawing for a tripartite mirror frame for the great parlour, c1783, unexecuted


top left corner
top right corner
bottom left corner
bottom right corner
image SM Adam volume 3/82

Reference number

SM Adam volume 3/82


[8] Record drawing for a tripartite mirror frame for the great parlour, c1783, unexecuted


Elevation of a tripartite mirror frame as SM Adam volume 20/244, with minor alterations. The reclining figures bearing musical instruments are omitted, and in their place there are recumbent sphinxes


bar scale of 1 1/2 inches to 1 foot


[_ _ _ _.] / Glass / (and in pencil) Glass- £11 / Frame Carving only- 4.4 / painting- -18 / - 16.2 / Joyners wood ^ work to frame- 2.10 / - 18.12 / ornament painting 1.1 / -19.13

Signed and dated

  • c1783

Medium and dimensions

Pen and pencil on laid paper (247 x 347)


Office hand, possibly Robert Morison


For a full list of literature references see scheme notes.



If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).