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image SM 54/1/11

Reference number

SM 54/1/11

Purpose

[23] Finished drawing for the ground floor of Holy Trinity Church, Marylebone, London, November 1820

Aspect

Plan of a church of five by nine bays. On the entrance front, the central three bays are recessed behind a colonnade of four columns accessed by an external staircase. These are flanked by towers containing D-shaped internal staircases. The interior is divided into a nave and two side aisles articulated by free standing columns. At the rear of the chancel is the altar. Beyond is the rear entrance accessed by external steps, with two staircases either side, flanked by towers containing the vestry and robing room. Red pen is used for centring lines

Scale

bar scale of 17/10 inches to 10 feet

Inscribed

Design for a Church to be erected in the Eastern division of the Parish of / St.Marylebone./ Design. No. 2. / G. / Front Extends / Front Extends / Staircase to / Gallery &c / The Principal Entrance / Staircase to / Gallery &c / Vestry Room. / The Eastern Entrance / The Robing Room / G. some measurements given

Signed and dated

  • November 1820
    Lincoln Inn Fields / November. 1820

Medium and dimensions

Pencil, pen, red pen and wash, within sextuplet ruled border, and pricked for transfer on wove paper (913 x 640)

Hand

Soane Office, draughtsman

Watermark

J WHATMAN / 1820

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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