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You are here: CollectionsOnline  /  [5] Design Finished drawing for the second scheme for the building, 1767-68, unexecuted
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image SM Adam volume 38/35

Reference number

SM Adam volume 38/35

Purpose

[5] Design Finished drawing for the second scheme for the building, 1767-68, unexecuted

Aspect

Plan of the first storey of a building with a nine-bay principal front, with the central three bays recessed, composed of a tripartite window, and with an oval lobby with niches beyond. The garden front is nine bays with blind windows in the end bays, and the side fronts are six bays with three-bay bows in the second, third and fourth bays. The building contains a central circular council room, jurors' rooms, and a county room with apsidal ends

Scale

bar scale of 1/5 inch to 1 foot

Inscribed

Plan of the first pair of Stairs Story of the Courts of Justice at Hertford (of the Courts of Justice at Hertford in the hand of William Adam) / Retiring room / Water Closet / Passage / County Room / Book Stairs / Water Closet / Passage / Petty Jury Room / Petty Jury Room / Passage / Council Room / Lobby or Anti room / Grand Jury Room / Great Stairs / A (in pencil) and measurements given (verso) 4 / 12 (in pencil) / 2d / Number 12 (in red pen) / Hertford County hall

Signed and dated

James Adam Archt 1767

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (556 x 502)

Hand

James Adam, with addition to title inscription in the hand of William Adam

Watermark

XD&CB within a cartouche

Literature

Bolton, 1922, Volume II, Index p. 17
King, 2001, Volume II, p. 56
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).